British social realism
Social realism is a film genre that focuses on representing the problems issues faced in today's society. It generally means a realistic circumstance that has or could easily happen captured on to a film, picture or even portrait. Popular themes and plots revolve around money, drugs, alcohol, class, religion and politics.
During the late 1940s and early 1950s, social realism in film reflected Britain's transforming wartime society. At the time, pre-assigned gender roles were challenged, and this was clearly portrayed through film. Examples of social realist films of this era include 'Target for tonight', 'Millions like us' and This happy breed'.
During the 1960s, there was a relaxation of censorship which enable films to focus on issues such as prostitution, abortion, homosexuality and alienation.
Codes and conventions:
- Location
Films of this genre are normally filmed in real life locations, unlike Hollywood films, where they are shot in studios. Another trend in terms of location is the use of run down areas and council estates, to produce a gritty and run-down effect. Locations such as these are used so that the film seems more realistic and lifelike, therefore much more relatable.
- Non-professional actors
Non-professional and unknown actors are normally used for social realism films, unlike Hollywood films, British social realism films simply cannot afford famous Hollywood actors on their low budgets. However, in most cases using unknown and non-professional actors helps to conform to the social realism aspect making it as realistic as possible.
- Social class
This is a very important convention, in most British social realism the plot features the working class. Films such as 'Billy Elliot' rely on the working class aspect to support the narrative.
- Age of characters
In most British social realism films, young teenagers and young adults are the main focus with the general age range being between 13 and 25. Examples of films evidently conforming to this convention are 'This is England' and 'Sweet sixteen'.
- Relatable plot
- Shots
- Semi-improvised scripts
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